Forth Bridge, from South Queensferry - Light Turquoise - Bell's Galleries - Made Scotland
Forth Bridge, from South Queensferry - Light Turquoise - Bell's Galleries - Made Scotland
Forth Bridge, from South Queensferry - Light Turquoise - Bell's Galleries - Made Scotland
Forth Bridge, from South Queensferry - Light Turquoise - Bell's Galleries - Made Scotland
Forth Bridge, from South Queensferry - Light Turquoise - Bell's Galleries - Made Scotland
Forth Bridge, from South Queensferry - Light Turquoise - Bell's Galleries - Made Scotland
Forth Bridge, from South Queensferry - Light Turquoise - Bell's Galleries - Made Scotland
Forth Bridge, from South Queensferry - Light Turquoise - Bell's Galleries - Made Scotland
Forth Bridge, from South Queensferry - Light Turquoise - Bell's Galleries - Made Scotland
Forth Bridge, from South Queensferry - Light Turquoise - Bell's Galleries - Made Scotland
Forth Bridge, from South Queensferry - Light Turquoise - Bell's Galleries - Made Scotland
Bell's Galleries

Forth Bridge, from South Queensferry

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£79.00

Multi-coloured stencil and screenprint of the iconic Forth Rail Bridge (Scotland) built in 1889.

These screenprints come signed, titled, in a small edition.  They are produced on A2 (approx. 60cm x 42cm) heavy 300gsm paper and are backed on cardboard in a cellophane slip.

This original handmade piece of art is bold and calm with its pastel shades. These colours work well in many interiors and can be framed in black, white or wooden frames. What better way to symbolise reaching out and connecting with friends and family than with such a well known bridge.

All prints are completed on 300gsm card using fade resistant inks and paints. They are all individually hand stencilled, manually screened and produced on A2 (approx. 42cm x 60cm) paper, coming backed on cardboard and sealed in a cellophane slip.

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Bell's Galleries

Hand-produced limited edition art by Dylan Bell Spraypaint, stencils and screenprints offer an endless range of possibilities in finish and application, both for the collectable numbered editions on paper that Dylan produces, the one off pieces on aluminium panel and wood, and the paste-up street art. The steps involved in planning and executing these pieces, on both the layered stencils, screen-prints, and original paintings, have been a great challenge and Dylan is looking forward to developing ideas further through larger format works and themed exhibitions.
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Our makers range from city-dwellers to remote islanders. Some are flying solo, doing their making in the pockets of time after the day job’s done, others are building up impressive teams of people and taking on studios and industrial units. They are creative, innovative, passionate, skilled and hugely hardworking.

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